24/03/2017

KATAMARAYADU MOVIE REVIEW|PAWAN KALYAN RAYADU

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Movie Name: Katamarayudu
Cast: Pawan Kalyan, Shruti Haasan, Ali, Nassar, Prudhvi, Shiva Balaji, Kamal Kamaraju, Ajay and Chaitanya, Pradeep Rawat, Rao Ramesh and Tarun Arora
Director: Kishor Kumar
Producer : North Star Entertainment
Music Director : Anup Rubens
Release Date:  24 March 2017
Duration: 2hr 30 mins
Satya Entertainment's Ratings: 3.5/5

KATAMARAYUDU STORY: The movie is focused around Katamarayudu, an influential person who stands up for the weaker sections in society against crony businessmen. How he triumphs over them and manages his alternatively complicated relationship with Avanti bureaucracy the rest of the tale.

Satya Entertainment's Movie Review:This film will upload readability to what that sincerely manner, nearly. The film screams Pawan Kalyan in every scene and the script resonates along with his actual world tendency to take care of the commonplace guy and their problems. that is as an alternative smartly laced with Pawan’s romantic music with Shruti Haasan that gives amusement fee. The film indicates why Pawan is one in all the biggest stars in Tollywood, and settles the doubts approximately his reputation, if there had been any.

Set inside the hinterland of Rayalaseema, the film revolves round Katamarayudu (Pawan Kalyan), a conscientious and influential person in his village. whilst a businessman (Pradeep Rawat) involves him for help to smuggle sandalwood, Katama takes him and his goons to the cleaners. really miffed, the businessman colludes and schemes with Narsappa (Rao Ramesh), a villager who desires to settle an vintage score with Katamarayudu. despite all his exact characteristics, the simplest issue that Katamarayudu lacks is a spouse. His four younger brothers (Shiva balajirainbow, Kamal Kamaraju, Ajay and Chaitanya) and Linga (Ali) attempt to set him up with Avanti (Shruti Hasaan). They plan various attempts at getting Avanti to like Katama with out his know-how, and eventually she falls for the ‘extremely do-gooder’ model of him that his brothers had sold to her. After to begin with being repulsive about Avanti’s interest in him, Katama subsequently take her severely and attempts to serenade her even as continuously preventing back towards other goons. His fights with them causes Avanti to lose interest in him.

the primary half is a winner on most counts. even as the motion sequences display Pawan Kalyan at his enigmatic quality, the comedy via Ali and the 4 brothers prove to be hilarious; so are the to and fro exchanges between Shruti and Pawan. The track places in Italy are visually beautiful and Shruti herself looks lovely and includes off her village belle avatar decently. Rao Ramesh as the quirky and sadistic Narsappa is enticing to watch, especially his dialogues with Pradeep Rawat. The dialogues are sharp and the script is crisp. The only negatives will be Pawan Kalyan’s alternatively bland styling in sure songs and scenes.

the second one half has Katama travelling Avanti’s father, a retired decide (Nassar) who is impressed through Katama’s nature. in the meantime, another crony businessman Bhanu (Tarun Arora) has a score to settle with Avanti’s father for having jailed him for an offense within the past, and Katama comes to his aid frequently. And simply while things have been starting to look high-quality for Katama, having received over Avanti once more, he kills a goon looking to harm the own family in the front of Avanti’s complete own family. This reasons Avanti and her circle of relatives to despise Katama for his violent sports and there ends the connection. Bhanu, in the meantime escapes jail and kidnaps Avanti and her own family. How Katama comes to their rescue paperwork the relaxation of the tale.

The storyline in the second half is predictable and the screenplay is on the slower side. a number of the tune sequences are satisfactory whilst the music and history score remains decent all through. Prudhvi’s overall performance as Avanti’s uncle is reminiscent of similar roles via Brahmanandam as he attempts to beat back Pawan’s interest for Avanti, and he does a first rate task with it. although the combat sequences hold to hero elevate Pawan, the computer graphics are a piece tardy in a few locations specially within the train combat series. The climax too is predictable but Pawan manages to gloss over the few imperfections with the aid of his sheer display presence.


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